IGNOU MEG 12 Free Solved Assignment 2022-23, IGNOU MEG 12 CANADIAN LITERATURE Free Solved Assignment 2022-23 If you are interested in pursuing a course in radio production and direction, IGNOU MEG 12 can be an excellent choice. In this article, we will take a closer look at what IGNOU MEG 12 is all about and what you can expect to learn from this course.
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IGNOU MEG 12 Free Solved Assignment 2022-23 is a course offered by the Indira Gandhi National Open University (IGNOU) under the School of Journalism and New Media Studies. As the name suggests, it is a course on “Production and Direction for Radio.” The course is designed to provide students with a comprehensive understanding of radio production and direction and covers various topics related to this field.
Canadian literature refers to the body of literary works written by authors from Canada or those who identify as Canadian. The literature of Canada reflects the country’s diverse culture, history, and geography, and is influenced by Indigenous, French, and British traditions. Canadian literature has been shaped by a range of factors, including immigration, multiculturalism, and political and social issues. Notable Canadian authors include Margaret Atwood, Alice Munro, Michael Ondaatje, Robertson Davies, and many more. Canadian literature encompasses a variety of genres such as fiction, non-fiction, poetry, drama, and children’s literature, and continues to evolve and grow with new voices and perspectives.
IGNOU MEG 12 Free Solved Assignment 2022-23
Q1. What are some major concerns that dominate 20th century Canadian Literature? Give a reasoned answer.
There are several major concerns that dominate 20th-century Canadian literature. One of the most significant is the exploration of national identity and the struggle for cultural independence. Many Canadian writers sought to define what it meant to be Canadian, and to assert the importance of Canadian literature and culture in the face of dominant influences from Europe and the United States.
Another major concern of Canadian literature in the 20th century was the impact of modernity and the changing social and cultural landscape. Canadian writers grappled with issues such as urbanization, industrialization, and the effects of technology on society. They also explored the challenges of immigration, multiculturalism, and the struggle for social justice and equality.
A third major theme in Canadian literature during the 20th century was the relationship between nature and culture. Many Canadian writers drew inspiration from the country’s vast natural landscapes, while others explored the ways in which human activities have impacted the environment. This theme is particularly relevant to Canadian literature, given the country’s vast wilderness areas and the importance of resource extraction to the Canadian economy.
Overall, Canadian literature in the 20th century is characterized by a deep concern with issues of national identity, social and cultural change, and the relationship between humans and the natural world. These themes continue to resonate with Canadian writers and readers today, and are likely to remain important concerns for the foreseeable future.
Q2. Write a detailed note on the contributions of Atwood and Ondaatje to recent Canadian poetry.
Margaret Atwood and Michael Ondaatje are two of the most prominent and celebrated Canadian poets of recent times. Their works have contributed significantly to the development of Canadian poetry, both nationally and internationally. In this note, we will explore their contributions to Canadian poetry in more detail.
Margaret Atwood is a prolific poet, novelist, and literary critic who has published over 20 books of poetry. Her poetry is known for its sharp wit, feminist themes, and social commentary. Atwood’s work often explores the relationship between humanity and nature, as well as the complex dynamics of power and oppression. Her poetry has been praised for its lyricism and innovative use of language, and has been translated into over 30 languages.
One of Atwood’s most famous poetry collections is “The Circle Game,” published in 1966, which won the Governor General’s Award for poetry. This collection features some of her most iconic poems, such as “This is a Photograph of Me” and “The Animals in That Country.” Atwood’s subsequent collections, including “Power Politics” (1971), “You Are Happy” (1974), and “Morning in the Burned House” (1995), continued to explore the themes of gender, politics, and nature. Atwood’s poetry has influenced generations of Canadian poets and has been recognized with numerous awards, including the Griffin Poetry Prize, the National Book Critics Circle Award, and the PEN Center USA Lifetime Achievement Award.
Michael Ondaatje is a Sri Lankan-born Canadian poet, novelist, and literary critic. His poetry is known for its evocative imagery, historical narratives, and explorations of memory and identity. Ondaatje’s work often blurs the lines between fact and fiction, as well as the boundaries between different cultures and geographies. His poetry has been translated into over 30 languages and has been adapted into several films, including “The English Patient,” which won the Academy Award for Best Picture in 1997.
Ondaatje’s most famous poetry collection is “The Collected Works of Billy the Kid,” published in 1970, which reimagines the life of the infamous outlaw through a series of prose poems. This collection features Ondaatje’s signature blend of historical research and poetic imagination, and established him as one of the most innovative poets of his generation. Ondaatje’s subsequent collections, including “There’s a Trick with a Knife I’m Learning to Do” (1979) and “The Cinnamon Peeler: Selected Poems” (1989), continued to explore themes of memory, identity, and cultural exchange. Ondaatje has won numerous awards for his poetry, including the Governor General’s Award, the Booker Prize, and the Griffin Poetry Prize.
In conclusion, Margaret Atwood and Michael Ondaatje are two of the most significant Canadian poets of recent times. Their contributions to Canadian poetry are vast, and their works continue to inspire and influence generations of readers and writers. Their poetry reflects the unique cultural landscape of Canada, while also exploring universal themes of identity, memory, and power.
Q3. Write a detailed note on the genre of the Canadian long poem.
The Canadian long poem is a literary genre that emerged in Canada in the mid-twentieth century. It is characterized by its length, usually over 1000 lines, and its formal innovation, as poets experimented with structure, form, and language. This genre has had a significant impact on Canadian literature and has played a key role in the development of a distinct Canadian poetic tradition.
The origins of the Canadian long poem can be traced back to the 1940s and 1950s when Canadian poets were experimenting with new forms and styles of writing. One of the most significant figures in the development of the genre was Earle Birney, who wrote several long poems, including “David” (1942) and “Turvey” (1949). These works were notable for their use of vernacular language and their exploration of Canadian themes and landscapes.
In the 1960s and 1970s, the Canadian long poem came to be associated with the counterculture and the political and social upheavals of the time. Poets such as Margaret Atwood, George Bowering, and bpNichol used the long poem to explore issues such as feminism, environmentalism, and anti-war activism. Atwood’s “The Journals of Susanna Moodie” (1970) and Bowering’s “George, Vancouver” (1970) are examples of long poems that reflect the concerns of the time and the desire for a distinctly Canadian literature.
One of the defining characteristics of the Canadian long poem is its engagement with Canadian history, culture, and landscape. Many long poems explore themes such as colonization, identity, and the relationship between humans and nature. They often incorporate elements of mythology, folklore, and oral traditions, as well as references to Canadian history and geography.
Another important aspect of the Canadian long poem is its formal innovation. Poets have experimented with a range of structures and forms, including free verse, prose poetry, and collage. They have also incorporated visual elements, such as photographs and drawings, into their work. This formal experimentation has helped to expand the possibilities of Canadian poetry and has contributed to its reputation for innovation and experimentation.
In recent years, the Canadian long poem has continued to evolve and to reflect the changing concerns and perspectives of Canadian poets. Works such as Dionne Brand’s “Inventory” (2006) and Fred Wah’s “Is a Door” (2009) demonstrate the ongoing relevance of the genre and its ability to engage with contemporary issues.
In conclusion, the Canadian long poem is a significant and influential genre in Canadian literature. It has played a key role in the development of a distinct Canadian poetic tradition and has contributed to the country’s cultural identity. Its engagement with Canadian history, culture, and landscape, as well as its formal innovation, make it a rich and diverse genre that continues to evolve and inspire new generations of Canadian poets.
Q4. Write a detailed note on the main character of the novel Surfacing.
“Surfacing” is a novel by Canadian author Margaret Atwood, published in 1972. The main character of the novel is an unnamed woman who returns to her childhood home in Quebec to search for her missing father. As the story progresses, she begins to confront her own past and the trauma that she has experienced.
The unnamed protagonist of “Surfacing” is a complex character who is struggling to come to terms with her own identity and her place in the world. She is a woman who is haunted by her past and is searching for some kind of meaning or purpose in her life. Throughout the novel, she is grappling with a sense of alienation and disconnection from the world around her.
The protagonist is a woman who is deeply troubled and conflicted. She is grappling with issues of identity and belonging, and is struggling to come to terms with the trauma that she has experienced. Her sense of alienation is intensified by the fact that she is a woman living in a male-dominated society, and she feels that she has been silenced and marginalized.
As the story progresses, the protagonist becomes more and more introspective, and she begins to confront the demons of her past. She is forced to confront the fact that she has been complicit in her own marginalization, and she begins to question the values and beliefs that have been imposed upon her by society.
Throughout the novel, the protagonist is on a journey of self-discovery. She is trying to come to terms with her own identity and to find a sense of purpose and meaning in her life. She is a character who is constantly evolving and changing, and she is not afraid to confront the uncomfortable truths about herself and the world around her.
In conclusion, the protagonist of “Surfacing” is a complex and multi-dimensional character who is struggling to come to terms with her own identity and her place in the world. She is haunted by her past and is searching for some kind of meaning or purpose in her life. Through her journey of self-discovery, she is able to confront the demons of her past and to begin to find a sense of peace and belonging.
Q5. Gabrielle Roy very realistically presents the lives of the people of Quebec in her novel The Tin Flute Discuss it with examples from the novel.
Gabrielle Roy’s novel, The Tin Flute, provides a realistic portrayal of the lives of the people of Quebec during the Great Depression. The novel presents the struggles of the poor and working-class families in the slums of Montreal, the harsh living conditions they face, and their daily struggles to make ends meet.
One example of this is the character of Florentine Lacasse, who is constantly worried about feeding her children and providing them with basic necessities. She is willing to do whatever it takes to ensure their survival, even if it means going without food herself. This is highlighted in the novel when she tells her daughter, “You know, it’s not easy to be a mother. You have to put up with a lot of things, go hungry sometimes, and make sacrifices for your children.”
Another example of the realistic portrayal of life in Quebec can be seen in the character of Jean Lévesque. He is a young man who dreams of a better life, but is trapped in poverty and cannot escape it. He struggles to find work and is forced to take a low-paying job as a delivery boy. Despite his efforts to improve his situation, he is constantly thwarted by the economic conditions of the time.
The novel also highlights the struggles of the working-class families who are caught in a cycle of poverty and are unable to break free from it. This is exemplified in the character of Rose-Anna, who is pregnant with her twelfth child and is forced to rely on her husband’s meager income. She is constantly worried about the future and whether they will be able to provide for their growing family.
Overall, The Tin Flute provides a vivid and realistic portrayal of the lives of the people of Quebec during the Great Depression. Gabrielle Roy presents the struggles and hardships of the working-class families in a way that is both poignant and compelling, highlighting the resilience and strength of the human spirit in the face of adversity.
Q6. In what ways is The English Patient a modernist novel? Discuss it.
The English Patient, written by Michael Ondaatje, can be considered a modernist novel due to its various stylistic and thematic elements that are characteristic of modernism.
Firstly, the novel employs a fragmented narrative structure, which is a hallmark of modernist literature. The story is told from the perspectives of multiple characters and through non-linear timelines, creating a fractured and nonlinear narrative that challenges traditional linear storytelling.
Additionally, the novel explores the theme of identity in a modernist way. The characters struggle with their sense of self and the role they play in the world, often feeling disconnected and fragmented. This existential crisis is a common theme in modernist literature and reflects the uncertainty and anxiety of the early 20th century.
The novel also experiments with language and form, which are central features of modernist literature. Ondaatje’s writing style is poetic and fragmented, often blurring the lines between prose and poetry. He employs stream-of-consciousness techniques, inner monologues, and surreal imagery to convey the characters’ inner thoughts and emotions.
Furthermore, the novel challenges conventional notions of nationalism and imperialism, which were important topics during the modernist era. The characters come from different backgrounds and cultures, and their stories are intertwined with the historical events of World War II and the end of the British Empire. This complexity and ambiguity reflect the questioning of traditional power structures and societal norms that were prevalent in modernist literature.
In conclusion, The English Patient can be considered a modernist novel due to its fragmented narrative structure, exploration of identity, experimental language and form, and critique of traditional power structures.
Q7. Attempt a critical assessment of “A Mother in India”.
“A Mother in India” is a short story written by British author and playwright, Sarah Morgan Bryan Piatt. First published in 1884, the story revolves around the theme of motherhood, sacrifice, and societal expectations.
On one hand, the story can be seen as a touching tribute to the love and devotion of a mother towards her child. The mother, who is not named in the story, is willing to go to any lengths to save her son from shame and dishonor, even if it means sacrificing her own life. The story portrays her as a selfless figure who embodies the epitome of motherhood. The story also highlights the unjust societal norms that force women to conform to certain roles and expectations, often at the cost of their own happiness and well-being.
However, on the other hand, the story can be criticized for reinforcing gender stereotypes and promoting a toxic notion of motherhood that glorifies self-sacrifice and martyrdom. The story portrays the mother as a helpless victim who is unable to challenge the patriarchal norms and instead chooses to accept her fate. This can be seen as problematic as it reinforces the idea that women are inherently passive and submissive. Moreover, the story does not delve deeper into the root causes of the societal norms that force women to conform to certain roles, and instead, seems to accept them as a given.
In conclusion, “A Mother in India” can be seen as a poignant story about the sacrifices a mother makes for her child. However, it can also be criticized for reinforcing gender stereotypes and promoting a problematic notion of motherhood that glorifies self-sacrifice and martyrdom.
Q8. Wo are the main characters in The Tin Flute? Who emerges as the most arresting character from among these?
The Tin Flute is a novel by Canadian author Gabrielle Roy. The main characters in the book are:
- Florentine Lacasse – a young woman from a poor family in Montreal, who dreams of a better life and struggles to find love and stability.
- Jean Lévesque – a worker at a factory, who falls in love with Florentine but faces obstacles in their relationship due to their different backgrounds and social class.
- Rose-Anna Lacasse – Florentine’s mother, who works hard to provide for her family and worries about their future.
- Mr. Lacasse – Florentine’s father, who struggles with alcoholism and is unable to support his family.
- Emmanuel Létourneau – a soldier who becomes involved with Florentine, but whose true intentions are unclear.
Of these characters, Florentine Lacasse emerges as the most arresting. Her struggle to find happiness and escape poverty, as well as her complex relationships with the other characters, make her a compelling and sympathetic protagonist. The novel is also notable for its vivid portrayal of life in working-class Montreal during the Great Depression.
Q9. ‘Characterization in The Ecstasy of Rita Joe follows allegorical writing in its accent on white and black shades of characters.’ Critically comment.
The Ecstasy of Rita Joe by George Ryga is a powerful play that explores the struggles of Indigenous people in Canada through the character of Rita Joe. The play portrays a complex and multi-layered society in which the Indigenous people are marginalized and oppressed. The characterization in the play is nuanced and emphasizes the contrasting white and black shades of characters.
The play presents a stark contrast between the white characters who hold positions of power and the Indigenous characters who are marginalized and oppressed. The white characters in the play are portrayed as cold, calculating, and indifferent to the plight of the Indigenous people. They are shown to be motivated by their own self-interest and are willing to do whatever it takes to maintain their position of power. In contrast, the Indigenous characters are portrayed as warm, compassionate, and connected to the land. They are shown to be victims of historical injustice and are struggling to survive in a society that is hostile to their culture and way of life.
The use of allegory in the play adds depth and complexity to the characterization. The characters in the play are not simply individuals, but are representative of larger social forces. The white characters are symbolic of the dominant culture that seeks to assimilate the Indigenous people into their own way of life. The Indigenous characters are symbolic of the traditional way of life that is being threatened by the encroachment of the dominant culture. The play, therefore, is not simply a story about individual characters, but is a commentary on the larger social and historical forces that are at play.
In conclusion, the characterization in The Ecstasy of Rita Joe is powerful and nuanced. The play emphasizes the contrasting white and black shades of characters, portraying a society in which the Indigenous people are marginalized and oppressed. The use of allegory adds depth and complexity to the characterization, highlighting the larger social and historical forces that are at play. The play remains a powerful and relevant commentary on the struggles of Indigenous people in Canada.
Q10. What are the various types of criticism that Frye talks about in Anatomy of Criticism?
In his book “Anatomy of Criticism,” Northrop Frye identifies four types of criticism:
- Historical criticism: This type of criticism looks at a work of literature in its historical context, taking into account the social, political, and cultural factors that may have influenced the author’s writing.
- Archetypal criticism: This type of criticism examines the universal symbols, themes, and motifs that are present in literature and identifies them as archetypes that resonate across cultures and time periods.
- Mythological criticism: This type of criticism looks at the ways in which literature draws on myth and folklore to create its meaning. It explores the underlying symbolic structures that connect stories from different cultures and times.
- Rhetorical criticism: This type of criticism focuses on the use of language in literature, examining the style, tone, and rhetorical devices employed by the author to convey their message. It also looks at how readers respond to the text and how the author uses language to influence or persuade their audience.
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